On the Longarm–Rail Fence

The rail fence block design is one of the first blocks many quilters learn to sew.  It is easy to cut (all of the pieces are the same), easy to sew (no matching corners or tricky bias edges) and it looks great!  I love the way that the quilter has arranged the blocks to look like a basket weave.  I love to help quilters finish their quilts.  I chose an allover (edge to edged) design with leaves and swirls which echoed the fabric design and gave the impression of vines growing on the fence.

Have a quilty day!!

On the Longarm–Tips for Making Flannel Quilts

The quilting group at my church received a donation of a gigantic box filled with plaid flannel triangles–all shapes, colors and designs.  We were overwhelmed.  However we started to sew the triangles into squares, trimmed them to several different uniform sizes and then sewed them together.  For some of us it was a challenge to work without a pattern, but I believe the quilts we produced will provide warmth to those who need it in during the winter months.

Here are some tips for dealing with flannel:

  1.  Clean out your machine regularly–flannel produces a lot of lint which can clog up the bobbin area.  Every time you change your bobbin, make sure to take a brush to clean out the bobbin case  according to your machine’s owner’s manual.
  2. If possible, pre-wash flannel.  Doing so will help make it less stretch-y, it will reduce lint, and there will be less fraying (because the fibers have shrunk).
  3. Flannel frays badly.  You might want to use a slightly larger seam allowance or finish the fabric edges with a stay stitch.  Before sending the quilt to your long arm quilter, stay stitch around the outer edge.
  4. Choose a design which is easy to sew–squares and rectangles are easiest.  Bias edges on pieces like the triangles are more challenging because they stretch.  Trimming to a uniform size after sewing ensures that blocks can be sewn together accurately.
  5. Blocks with lots of seam intersections should be avoided.  Flannel is thicker than quilting cotton, so it is more difficult to avoid bulky seam intersections.  Consider pressing seams open.  Quilting through bulky seam intersections threw the timing of my long arm off and resulted in several days of frustration as I readjusted it.  I am now well versed in the art of adjusting my needle bar height.
  6. Because flannel frays and stretches, allow extra border width so that the quilt can be trimmed square after quilting.

Although flannel can be challenging to work with, don’t despair.  Nothing feels better than a flannel quilt and a cup of hot chocolate on a day when the high temperature is -40°.  It’s hard to imagine in July, but we  know that ‘winter is coming.’

Have a quilty day!!

On the Longarm today…Continuing Education

I love going to classes because I am always inspired by teachers to stretch myself creatively or technically.  At the AQS Des Moines show I was thrilled to be able to take a class with Judy Woodworth on Backfills, the designs which we put around the main quilting motifs.  I was amazed to see her work also up in a special exhibit with the show.  It is rare to be able to see, in person, how a quilter has grown in their art over many years.  Judy is an innovator in so many different techniques–her works include piecing, applique, whole cloth, paint, crystals, embroidery to name just a few.  In fact, I was the lucky winner of the above small quilt which was made by Judy for a class sample.  Thank you Judy!!

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In the class we learned how to form various backfill designs and how to stitch them out.  (I won the class sample too, it was my lucky day!)   One thing I took away from the class was to not limit myself to the typical backfill–such as pebbles, McTavishing, or stippling. The sky is truly the limit.   Judy uses all kinds of designs as backfill–feathers, spiral roses, etc.  She also taught us to make a spiral feather flower (for lack of a more succinct name) which I am practicing so it may appear in a quilt soon!! (One of those is mine, can you tell which one?)

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On my longarm today…5 reasons to go quilt shows

It’s fall here in the Upper Midwest, the trees are all turning magnificent colors and the weather is beginning to cool.  It is also quilt show season, before winter driving becomes an issue.  Here are my top five reasons to go to quilt shows:

  1. To see amazing quilts, such as this stunning Best of Show, AQS Des Moines 2016 (plus many additional ribbons) quilt by Bethanne Nemesh.  It is a whole cloth quilt with an Art Deco inspired peacock design as it’s central motif and beautiful feathers.  The quality of the machine quilting was excellent.  I particularly noticed that despite the heavy quilting the motifs stood out from the back fill.  In addition she used ‘advanced’ edging techniques such as covered beaded piping and tiny scalloped edging.20161005_110535
  2. To discover new gadgets, such as how my Gammill Dealer attaches a tablet to her longarm.20161005_113636
  3. To get inspiration and ideas for my own quilting projects–how to fill up negative space.  I liked how Judy Mercer Tescher used block design along with back fills to complete the stars in her quilt Stars and Sparks.  20161005_112750
  4. To take classes–I took a class with Judy Woodworth, an amazing quilter, about back fills.  I can hardly wait to try some ideas and practice in my studio.  I won the class demo with Judy’s stitching.  I love those little feather blooms.20161018_165018
  5. To meet old friends and new friends.  I always have fun going through a show with friends because they see things I don’t notice.  It’s also fun to meet new friends–sit at a table with someone or on a chair next to someone and ask about their quilts.

I hope you enjoy some quilt shows this fall!!

Art with Fabric Blog Hop–Landscape with Birds

I have always loved the artist, Paul Klee, so when Alida invited me to join the Art with Fabric Blog Hop, I jumped at the chance.  Alida asked us to choose ‘a’ work of art to inspire our textile creations.  I couldn’t choose just one!!

Instead, I chose two pieces by Paul Klee:

The first is titled, “Landscape with Yellow Birds,” and the second is “Fire in the Evening Sky.”(Museum of Modern Art, New York).  Of course, one can’t have two without three so I found a poem on Jill Berry Design‘s blog which really spoke to me about hope.

LANDSCAPE WITH YELLOW BIRDS
Shuntaro Tanikawa (1931-    )

there are birds
so there is sky
there is sky
so there are balloons
there are balloons
so children are running
children are running
so there is laughter
there is laughter
so there is sadness
so there is prayer
and ground for kneeling
there is ground
so water is flowing
and there’s today and tomorrow
there is a yellow bird
so with all colors forms and movements
there is the world

Paul Klee’s ‘Fire in the Evening Sky’  inspired me to construct my landscape with horizontal lines.  Our beautiful sunsets over the Mississippi river this summer gave me a color scheme.  My birds are drawn from the ‘Birds in Air” block:

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I inserted triangle birds into my landscape–red, for the cardinals which visit my yard, and a yellow bird to add color and hope.

 

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I chose a quilting design which also used horizontal lines and triangles.  In addition, I drew yellow and red birds with big stitch hand quilting.  Finally, I added some random big stitch quilting lines to add spark and interest.

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I used pearl cotton thread and a chenille needle to do my ‘big stitches’.  I also used a thimble–which, in my opinion, is necessary when doing any type of hand quilting.

Please visit the other bloggers up today:

Bea @ beaquilter (http://www.beaquilter.com/)

Heather @ heatherquilts (http://www.heatherquilts.blogspot.com/)

On my longarm today–White on White??

I look all over for inspiration for my own quilting.  I found this amazing piece when visiting the nearby town of Winona, Minnesota. I love the way that the borders and center are different, yet all are related to one another.  Notice the graceful curves and organic shapes.

Who is this amazing quiltmaker??

Perhaps this photo will give you a clue:

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Yes, it is the embossed tin ceiling of the Winona Art Center.  Tin ceilings were popular in buildings beginning in 1880s as an economical way to decorate a room’s ‘fifth’ wall.  Many historic buildings still exist with their tin intact. Don’t forget to look up for design inspiration!!